R+B is a collection of tables conceived for interiors where furniture becomes part of the architecture.
Rather than treating tables as interchangeable objects, the collection brings together carefully considered proportions, distinctive material construction and restrained detailing across a coherent family of dining and coffee tables.
European oak, hand-laid veneer, architectural porcelain and finely finished metalwork are selected not simply for appearance, but for character, permanence and the way they age.
Designed for restaurants, hotels, members’ clubs, workspaces and residential interiors, R+B is furniture intended to sit quietly within a space — and reward closer inspection.
Furniture informed by architecture, realised through craftsmanship.
THE COLLECTION
TIMBERThree expressions of oak…
01 Radial
A hand-laid radial composition inspired by traditional cabinetmaking. Carefully matched leaves radiate from the centre to create a quiet, balanced surface.
T02 Quartered
Four fields of quarter-cut oak are bookmatched into a calm geometric composition, allowing the natural variation of the timber to become part of the pattern.
T03 Frame
Quarter-cut veneers are bookmatched across four quadrants and enclosed by a fine contrasting oak inlay — a subtle architectural detail that defines the perimeter of the table.
Designed in London. Handcrafted in Britain.
THE COLLECTION
STONEBeautiful material. Made to be used...
R+B uses 20 mm SapienStone porcelain to bring the visual character of natural stone into demanding hospitality and contract environments.
Non-porous, durable and easy to care for, porcelain allows expressive stone surfaces to be used where practicality matters as much as appearance.
Each surface is precisely cut and finished as a piece of furniture rather than simply applied as a decorative material.
Explore materials, finishes and edge details in the R+B specification brochure.
T04 Porcelain
Six carefully selected surfaces form the R+B stone palette, ranging from quiet mineral tones to strongly figured marbles.
Round, square and rectangular formats share the same restrained geometry as the timber collection, allowing stone and oak tables to be used together within the same interior.
THE COLLECTION
METALA quiet architectural presence...
The pedestal is deliberately restrained: proportioned to support the tabletop without competing with it.
A family of round, square and twin-column bases allows the same architectural language to move across different table sizes and applications.
Selected stainless-steel and brass finishes have been chosen specifically to work alongside the warmth of oak and the mineral character of porcelain.
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THE COLLECTION
COFFEE TABLEThe R+B language, at a lower scale....
The coffee-table collection takes the same materials, craftsmanship and architectural detailing and brings them into lounge, hospitality and residential settings.
Generous oval and round forms combine hand-laid oak or porcelain surfaces with lighter metal structures, creating tables with presence without unnecessary visual weight.
The Ø900 round gives you the more intimate counterpart: a generous surface on a compact footprint, with a central pedestal allowing the material of the tabletop to remain the focus.
Colour as material
A restrained palette of architectural RAL colours introduces another layer to the collection.
Chosen to sit naturally alongside oak rather than compete with it, the finely textured powder-coated finishes allow a table to either settle quietly into an interior or provide a controlled point of contrast.
PRINCIPLES
A common language. Different expressions.…
R+B begins with a set of principles rather than individual products.
A deliberately limited language of surfaces, proportions, edge details and bases allows different table types to sit naturally together.
Dining, occasional and coffee tables can respond to different functional requirements without becoming a collection of unrelated objects.
The result is consistency without uniformity — a system from which designers can build a coherent furniture scheme.